Hallelujah I Saw His Name Im Talking to the Walls Again

American patriotic vocal written by Julia Ward Howe

"Battle Hymn of the Republic"

Cover of the 1863 sheet music for the "Battle Hymn of the Republic"
Lyrics	Julia Ward Howe, 1861
Music	William Steffe, 1856; arranged past James E. Greenleaf, C. S. Hall, and C. B. Marsh, 1861
Audio sample
"The Boxing Hymn of the Republic" as performed by the Usa Air Force Band file help

The "Battle Hymn of the Republic", also known as "Mine Optics Take Seen the Glory" exterior of the United States, is a popular American patriotic vocal past the abolitionist writer Julia Ward Howe.

Howe wrote her lyrics to the music of the vocal "John Brown'south Body" in November 1861 and first published them in The Atlantic Monthly in Feb 1862. The song links the judgment of the wicked at the terminate of the age (through allusions to biblical passages such as Isaiah 63:one–half-dozen and Revelation 14:14–nineteen) with the American Civil State of war.

History [edit]

Oh! Brothers [edit]

The "Glory, Hallelujah" melody was a folk hymn developed in the oral hymn tradition of camp meetings in the southern U.s.a. and first documented in the early 1800s. In the start known version, "Canaan'south Happy Shore," the text includes the verse "Oh! Brothers will you meet me (3×)/On Canaan's happy shore?"^{[1] : 21} and chorus "At that place we'll shout and give Him glory (3×)/For glory is His own."^[2] This adult into the familiar "Celebrity, glory, hallelujah" chorus past the 1850s. The tune and variants of these words spread across both the southern and northern United States.^[3]

Equally the "John Brown's Body" vocal [edit]

At a flag-raising ceremony at Fort Warren, most Boston, Massachusetts, on Sunday, May 12, 1861, the vocal "John Brown's Body", using the well known "Oh! Brothers" tune and the "Glory, Hallelujah" chorus, was publicly played "peradventure for the showtime time". The American Civil War had begun the previous month.

In 1890, George Kimball wrote his account of how the 2nd Infantry Battalion of the Massachusetts militia, known as the "Tiger" Battalion, collectively worked out the lyrics to "John Brown's Body." Kimball wrote:

We had a jovial Scotchman in the battalion, named John Brown. ... [A]nd as he happened to carry the identical proper noun of the former hero of Harper'south Ferry, he became at once the butt of his comrades. If he fabricated his appearance a few minutes late amid the working squad, or was a little tardy in falling into the company line, he was sure to be greeted with such expressions every bit "Come, onetime beau, you ought to exist at information technology if you are going to assistance us costless the slaves," or, "This can't be John Chocolate-brown—why, John Brown is expressionless." And then some wag would add together, in a solemn, drawling tone, every bit if it were his purpose to give particular emphasis to the fact that John Chocolate-brown was actually, really dead: "Yes, aye, poor old John Chocolate-brown is expressionless; his body lies mouldering in the grave."^[4]

According to Kimball, these sayings became by-words among the soldiers and, in a communal effort — similar in many ways to the spontaneous composition of military camp meeting songs described above — were gradually put to the tune of "Say, Brothers":

Finally ditties composed of the most nonsensical, doggerel rhymes, setting for the fact that John Brown was dead and that his body was undergoing the process of decomposition, began to exist sung to the music of the hymn above given. These ditties underwent various ramifications, until eventually the lines were reached,—

"John Brown's torso lies a-mouldering in the grave,
His soul's marching on."

And,—

"He's gone to be a soldier in the army of the Lord,
His soul's marching on."

These lines seemed to give general satisfaction, the thought that Dark-brown's soul was "marching on" receiving recognition at one time every bit having a germ of inspiration in it. They were sung over and over again with a peachy deal of gusto, the "Glory, hallelujah" chorus being always added.^[4]

Some leaders of the battalion, feeling the words were coarse and irreverent, tried to urge the adoption of more fitting lyrics, merely to no avail. The lyrics were soon prepared for publication by members of the battalion, together with publisher C. Southward. Hall. They selected and polished verses they felt advisable, and may fifty-fifty have enlisted the services of a local poet to help polish and create verses.^[5]

The official histories of the old First Artillery and of the 55th Artillery (1918) likewise record the Tiger Battalion's office in creating the John Brownish Song, confirming the general thrust of Kimball'due south version with a few boosted details.^{[6] [7]}

Cosmos of the "Battle Hymn" [edit]

Kimball's battalion was dispatched to Murray, Kentucky, early in the Ceremonious War, and Julia Ward Howe heard this vocal during a public review of the troops outside Washington, D.C., on Upton Hill, Virginia. Rufus R. Dawes, then in control of Company "Grand" of the 6th Wisconsin Volunteer Infantry, stated in his memoirs that the homo who started the singing was Sergeant John Ticknor of his visitor. Howe's companion at the review, the Reverend James Freeman Clarke,^[eight] suggested to Howe that she write new words for the fighting men'southward vocal. Staying at the Willard Hotel in Washington on the night of November eighteen, 1861, Howe wrote the verses to the "Boxing Hymn of the Commonwealth."^[9] Of the writing of the lyrics, Howe remembered:

I went to bed that nighttime as usual, and slept, according to my wont, quite soundly. I awoke in the gray of the morning twilight; and equally I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind. Having idea out all the stanzas, I said to myself, "I must get up and write these verses down, lest I autumn asleep once more and forget them." So, with a sudden effort, I sprang out of bed, and found in the dimness an one-time stump of a pencil which I remembered to have used the day before. I scrawled the verses nearly without looking at the paper.^[x]

Howe'south "Battle Hymn of the Republic" was first published on the front folio of The Atlantic Monthly of February 1862. The sixth poesy written by Howe, which is less commonly sung, was not published at that fourth dimension. The vocal was also published as a broadside in 1863 by the Supervisory Commission for Recruiting Colored Regiments in Philadelphia.

Both "John Chocolate-brown" and "Battle Hymn of the Republic" were published in Begetter Kemp's Old Folks Concert Tunes in 1874 and reprinted in 1889. Both songs had the same Chorus with an additional "Glory" in the 2d line: "Glory! Glory! Glory! Hallelujah!"^[eleven]

Julia Ward Howe was married to Samuel Gridley Howe, the famed scholar in educational activity of the blind. Samuel and Julia were also active leaders in anti-slavery politics and stiff supporters of the Marriage. Samuel Howe was a fellow member of the Secret Vi, the group who funded John Brownish's work.^[12]

Score [edit]

"Canaan's Happy Shore" has a verse and chorus of equal metrical length and both poetry and chorus share an identical melody and rhythm. "John Dark-brown's Trunk" has more than syllables in its verse and uses a more rhythmically active variation of the "Canaan" melody to accommodate the additional words in the verse. In Howe's lyrics, the words of the verse are packed into a yet longer line, with even more than syllables than "John Brown's Torso." The verse nevertheless uses the same underlying melody every bit the refrain, but the add-on of many dotted rhythms to the underlying melody allows for the more than complex verse to fit the aforementioned tune equally the comparatively brusque refrain.

One version of the melody, in C major, begins as below. This is an example of the mediant-octave modal frame.

Lyrics [edit]

Howe submitted the lyrics she wrote to The Atlantic Monthly, and it was offset published in the Feb 1862 issue of the magazine.^{[13] [14]}

First published version [edit]

Mine eyes have seen the celebrity of the coming of the Lord;
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fateful lightning of His terrible swift sword:
His truth is marching on.

(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, celebrity, hallelujah!
His truth is marching on.

I take seen Him in the watch-fires of a hundred circling camps,
They have builded Him an altar in the evening dews and damps;
I tin can read His righteous judgement by the dim and flaring lamps:
His 24-hour interval is marching on.

(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.

I accept read a fiery gospel writ in burnished rows of steel:
"As ye deal with my contemners, then with you my grace shall bargain";
Let the Hero, born of adult female, crush the serpent with his heel,
Since God is marching on.

(Chorus)
Glory, glory, hallelujah!
Celebrity, celebrity, hallelujah!
Celebrity, glory, hallelujah!
His truth is marching on.

He has sounded forth the trumpet that shall never call retreat;
He is sifting out the hearts of men before His judgment-seat;
Oh, be swift, my soul, to reply Him! Be celebrating, my anxiety!
Our God is marching on.

(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Our God is marching on.

In the beauty of the lilies Christ was born across the sea,
With a glory in His bust that transfigures you and me.
As He died to make men holy, permit united states of america die to brand men free,^[15]
While God is marching on.

(Chorus)
Glory, glory, hallelujah!
Glory, celebrity, hallelujah!
Celebrity, glory, hallelujah!
Our God is marching on.

* Many mod recordings of the "Battle Hymn of the Democracy" employ the lyric "Every bit He died to make men holy, allow us alive to brand men free" as opposed to the wartime lyric originally written past Julia Ward Howe: "let united states of america die to brand men gratuitous."^[xvi]

Other versions [edit]

Howe's original manuscript differed slightly from the published version. Most significantly, it included a final verse:

He is coming like the glory of the morn on the wave,
He is Wisdom to the mighty, He is Succour to the brave,
So the globe shall be His footstool, and the soul of Time His slave,
Our God is marching on.

(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Our God is marching on!

In the 1862 sail music, the chorus always begins:

Glory! Glory! Hallelujah!
Celebrity! Celebrity! Glory! Hallelujah!
Glory! Glory! Hallelujah!"^[17]

Recordings and public performances [edit]

• The vocal is played by a US Army marching ring in the 1951 picture The Tall Target shortly afterward a plot to assassinate President-elect Abraham Lincoln in Apr 1861, is foiled. This was several months before the song was actually composed.
• In 1953, Marian Anderson sang the song earlier a live television audience of 60 1000000 persons, broadcast alive over the NBC and CBS networks, equally part of The Ford 50th Anniversary Show.
• In 1960 the Mormon Tabernacle Choir won the Grammy Award for Best Operation by a Vocal Group or Chorus. The 45 rpm unmarried record, which was arranged and edited by Columbia Records and Cleveland deejay jockey Bill Randle, was a commercial success and reached #13 on Billboard's Hot 100 the previous autumn. Information technology is the choir's only Meridian 40 hit in the Hot 100.^[eighteen]
• It's included along with her operation of "Nosotros Shall Overcome" on Joan Baez in Concert, Part two, alive material recorded during Joan Baez' concert tours of early 1963.
• Judy Garland performed this song on her weekly television bear witness in December 1963. She originally wanted to do a dedication show for President John F. Kennedy upon his assassination, just CBS would not allow her, so she performed the song without being able to mention his proper noun.^[19]
• At Winston Churchill's funeral January 30, 1965. Churchill's favourite hymns were sung, including the "Battle Hymn of the Democracy".
• Andy Williams experienced commercial success in 1968 with an a cappella version recorded at Senator Robert Kennedy's funeral. Backed by the St. Charles Borromeo choir, his version reached #eleven on the developed contemporary chart and #33 on the Billboard Hot 100.^[20]
• In the movie Kelly's Heroes, Oddball is playing it (in the rain) every bit his tanks meet upward with Kelly and the rest of the troops.
• Anita Bryant performed it Jan 17, 1971, at the halftime show of Super Bowl Five.
• Mormon Tabernacle Choir performed this vocal at the inaugural parade of President Ronald Reagan on January twenty, 1981.
• The song is one of the three American songs included in "An American Trilogy", a 1971 song medley written and performed by land composer Mickey Newbury. Newbury's song was popularized by Elvis Presley, who included information technology as a showstopper in his concerts. Presley recorded and issued "An American Trilogy" several times.
• The song is included on the Existent Ale and Thunder Band'south album At Vespers, recorded at St. Laurence's Parish Church, Downton past BBC Radio Solent, 18 Nov 1984.
• Stryper recorded this song on their 1985 album Soldiers Under Control.
• It was performed in St. Paul'south Cathedral on September 14, 2001, as office of a memorial service for those lost in the September 11, 2001 attacks.^[21]
• The Brooklyn Tabernacle Choir besides sang this vocal at President Barack Obama's 2nd Presidential Inauguration Anniversary on January 21, 2013.
• The Female parent Bethel AME Church Choir from Philadelphia performed this song during the opening day of the Democratic National Convention on July 25, 2016.^[22]
• A U.S. military choir and ring performed this song at the pre-inauguration anniversary of President-Elect Donald Trump on January 19, 2017, at the Lincoln Memorial.
• The Naval University Glee Club performed this song on September 1, 2018, at the funeral of Sen. John McCain at the Washington National Cathedral.
• A cover for the 2022 video game Wasteland three performed past Joshua James was used during a fundamental fight section and in the official launch trailer.

Influence [edit]

Popularity and widespread employ [edit]

In the years since the Civil War, "The Battle Hymn of the Democracy" has been used frequently as an American patriotic vocal.^[23]

Cultural influences [edit]

The lyrics of "Boxing Hymn of the Commonwealth" appear in Dr. Martin Luther Male monarch Jr.'due south sermons and speeches, almost notably in his oral communication "How Long, Not Long" from the steps of the Alabama Country Capitol building on March 25, 1965, afterwards the successful Selma to Montgomery march, and in his concluding sermon "I've Been to the Mountaintop", delivered in Memphis, Tennessee on the evening of April 3, 1968, the night earlier his assassination. In fact, the latter sermon, King's last public words, ends with the first lyrics of the "Boxing Hymn": "Mine optics have seen the celebrity of the coming of the Lord."

Bishop Michael B. Curry of North Carolina, after his election every bit the first African American Presiding Bishop of The Episcopal Church, delivered a sermon to the Church's General Convention on July three, 2015, in which the lyrics of the "Battle Hymn" framed the message of God's love. After proclaiming "Glory, glory, hallelujah, His truth is marching on", a alphabetic character from President Barack Obama was read, congratulating Bishop Curry on his historic election.^[24] Curry is known for quoting the "Battle Hymn" during his sermons.

The inscription "Mine optics have seen the glory of the coming of the Lord" is written at the feet of the sculpture of the fallen soldier at the American Cemetery in Normandy, French republic.

The tune has played a role in many movies where patriotic music has been required, including the 1970 World War II war comedy Kelly's Heroes, and the 1999 sci-fi western Wild Wild W. Words from the first poetry gave John Steinbeck's wife Carol Steinbeck the title of his 1939 masterpiece The Grapes of Wrath.^[25] The championship of John Updike'due south In the Dazzler of the Lilies too came from this song, every bit did Terrible Swift Sword and Never Call Retreat, two volumes in Bruce Catton'south Centennial History of the Civil War. Terrible Swift Sword is besides the name of a board wargame simulating the Battle of Gettysburg.^[26] The song was used in the anime Girls und Panzer as the tune used when members of the American-inspired fictional Saunders University High School are seen moving in their various M4 Sherman variants.

Words from the second last line of the terminal verse are paraphrased in Leonard Cohen's song "Steer Your Way".^[27] It was originally published as a poem in the New Yorker magazine.^[28] "Every bit He died to make men holy, permit usa die to make men free" becomes "Equally He died to make men holy, let u.s.a. die to make things cheap".

In association with football (soccer) [edit]

The refrain "Glory, glory, hallelujah!" has been adopted by fans of a number of sporting teams, nigh notably in the English language and Scottish Premier Leagues. The popular use of the melody by Tottenham Hotspur tin can be traced to September 1961 during the 1961–62 European Cup. Their start opponents in the competition were the Smoothen side Górnik Zabrze, and the Smoothen printing described the Spurs team as "no angels" due to their rough tackling. In the return leg at White Hart Lane, some fans then wore angel costumes at the match holding placards with slogans such as "Celebrity exist to shining White Hart Lane", and the crowded started singing the refrain "Glory, glory, hallelujah" as Spurs trounce the Poles 8–i, starting the tradition at Tottenham.^[29] It was released as the B-side to "Ozzie's Dream" for the 1981 Cup Final.

The theme was and then picked up by Hibernian, with Hector Nicol's release of the track "Glory, glory to the Hibees" in 1963.^{[30] [31]} "Glory, Celebrity Leeds United" was a popular dirge during Leeds' 1970 FA Cup run. Manchester United fans picked it up every bit "Glory, Glory Man United" during the 1983 FA Cup Final. As a result of its popularity with these and other British teams, it has spread internationally and to other sporting codes. An instance of its reach is its popularity with fans of the Australian Rugby League team, the Due south Sydney Rabbitohs (Glory, Glory to South Sydney) and to A-League team Perth Glory. Brighton fans celebrate their 1970s legend by singing "Mine eyes have seen the glory of the coming of the Lord, he played for Brighton and Hove Albion and his proper noun is Peter Ward, etc."

Other songs set to this tune [edit]

Some songs make use of both the melody and elements of the lyrics of "Battle Hymn of the Commonwealth", either in tribute or every bit a parody:

• "Marching Vocal of the First Arkansas" is a Ceremonious War–era song that has a similar lyrical structure to "Battle Hymn of the Democracy". It has been described as "a powerful early statement of blackness pride, militancy, and desire for full equality, revealing the aspirations of blackness soldiers for Reconstruction likewise as anticipating the spirit of the civil rights movement of the 1960s".^[32]
• The tune has been used with alternative lyrics numerous times. The University of Georgia'due south rally song, "Celebrity Glory to Former Georgia", is based on the patriotic melody, and has been sung at American higher football games since 1909. Other college teams also employ songs fix to the same tune. One such is "Glory, Glory to Old Auburn" at Auburn Academy. Some other is "Glory Colorado", traditionally played past the band and sung after touchdowns scored by the Colorado Buffaloes. "Glory Colorado" has been a fight song at the University of Colorado (Bedrock) for more than 1 hundred years.
• In 1901 Marking Twain wrote "The Battle Hymn of the Commonwealth, Updated", with the same tune every bit the original, every bit a annotate on the Philippine–American State of war. It was afterward recorded by the Chad Mitchell Trio.
• "The Called-for of the School" is a well-known parody of the song.^[33]
• The U.s.a. Ground forces paratrooper vocal, "Blood on the Risers", first sung in World War Two, includes the lyrics "Gory, gory" in the lyrics, based on the original's "Celebrity, celebrity".
• A number of terrace songs (in association football) are sung to the melody in Britain. Virtually frequently, fans chant "Glory, Glory..." plus their team's name: the chants have been recorded and released officially as songs by Hibernian, Tottenham, Leeds United and Manchester United. The 1994 World Cup official vocal "Gloryland" interpreted past Daryl Hall and the Sounds of Black has the tune of "Battle Hymn of the Republic".^[34] In Argentina the St. Alban's former Pupils Assn (Former Philomathian Society) used the tune for its "Glory Celebrity Philomathians" likewise. While not heard often nowadays it is still a cherished song for the Old Philomathians.
• In Commonwealth of australia, the most famous version of the song is used past the S Sydney Rabbitohs, an Australian rugby league guild – "Glory Glory to South Sydney". The vocal mentions all the teams in the contest when the song was written, and says what Souths did to them when they played. Each poesy ends with, "They wearable the Red and Light-green".^[35]
• The parody song "Jesus Can't Play Rugby", popular at informal sporting events, uses the traditional tune under improvised lyrics. Performances typically characteristic a call-and-response construction, wherein one performer proposes an agreeable reason why Jesus Christ might be disqualified from playing rugby—due east.g. "Jesus can't play rugby 'cause his dad will rig the game"—which is then repeated back by other participants (mirroring the repetitive structure of "John Brown's Trunk"), before ending with the natural language-in-cheek proclamation "Jesus saves, Jesus saves, Jesus saves". A chorus may feature the repeated telephone call of "Complimentary beer for all the ruggers", or, after final the last poesy, "Jesus, we're only kidding".^[36]
• A protest song titled "Gloria, Gloria Labandera" (lit. "Gloria the Laundrywoman") was used by supporters of quondam Philippine president Joseph Estrada to mock Gloria Macapagal Arroyo after the latter assumed the presidency following Estrada's ouster from office, further deriving the "labandera" parallels to declared coin laundering.^[37] While Arroyo did not mind the nickname and went on to use it for her projects, the Cosmic Church building took umbrage to the parody lyrics and chosen information technology "obscene".^[38]

Other songs simply utilise the melody, i.e. the melody of "John Brown'due south Body", with no lyrical connection to "The Boxing Hymn of the Republic":

• "Solidarity Forever", a marching song for organized labor in the 20th century.^[39]
• The anthem of the American consumers' cooperative motion, "The Battle Hymn of Cooperation", written in 1932.
• The tune has been used as a marching vocal in the Finnish military with the words "Kalle-Kustaan muori makaa hiljaa haudassaan, ja yli haudan me marssimme näin " ("Carl Gustaf'southward hag lies silently in her grave, and we're marching over the grave like this").^[40]
• The Finnish Ice Hockey fans can be heard singing the tune with the lyrics "Suomi tekee kohta maalin, eikä kukaan sille mitään voi" ("Finland will soon score, and no 1 can practice anything about information technology").^[41]
• The Estonian song "Kalle Kusta" uses the melody as well.
• The popular folk trip the light fantastic "Gólya" ("Stork"), known in several Hungarian-speaking communities in Transylvania (Romania), as well as in Hungary proper, is gear up to the same tune. The same dance is establish among the Csángós of Moldavia with a unlike tune, under the name "Hojna"; with the Moldavian tune generally considered original, and the "Battle Hymn" tune a later accommodation.^{[ citation needed ]}
• The tune is used in British nursery rhyme "Little Peter Rabbit".^[42]
• The tune is used in French Canadian Christmas carol chosen "Glory, Alleluia", covered by Celine Dion and others.^[43]
• The melody is used in the marching song of the Assam Regiment of the Indian Army: "Badluram ka Badan", or "Badluram'south Body", its chorus being "Shabash Hallelujah" instead of "Glory Hallelujah". The word "Shabash" in Hindustani means "congratulations" or "well done".
• The song "Belfast Brigade" using alternating lyrics is sung past the Lucky4 in back up of the Irish Republican Regular army.
• The vocal "Upwardly Went Nelson", jubilant the destruction of Nelson'south Colonnade in Dublin, is sung to this tune.
• The Discordian Handbook Principia Discordia has a version of the song called Battle Hymn of the Eristocracy.^[44] It has been recorded for example past Aarni.^[45]
• The Subiaco Football Gild, in the West Australian Football League, uses the song for their team song. Besides, the Casey Demons in the Victorian Football League also currently use the song. The words take been adjusted due to the vocal mainly beingness written during the catamenia of time they were called the Casey Scorpions and the Springvale Football game Club. As well as these two clubs, the West Torrens Football game Club used the song until 1990, when their successor club, Woodville-Westward Torrens, currently employ this song in the South Australian National Football League.
• The Brisbane Bears, before they merged with the Fitzroy Football game Club, used the "Battle Hymn of the Republic" in experiment mode before eventually scrapping it in favour of the original vocal.
• The melody is used in the well-known Dutch children's vocal "Lief klein konijntje". The vocal is about a cute niggling rabbit that has a fly on his olfactory organ.
• The melody is used as the theme for the Japanese electronics chain Yodobashi Camera.
• The tune is used as a plant nursery rhyme in Nihon equally ともだち讃歌 ("Tomodachi Sanka").
• The melody has been used as a fight vocal in Queen's University, named "Oil Thigh".^[46]

Other settings of the text [edit]

Irish composer Ina Boyle set the text for solo soprano, mixed choir and orchestra; she completed her version in 1918.^[47]

See besides [edit]

• "Battle Cry of Freedom"
• "Belfast Brigade"
• "Claret on the Risers"
• Children'southward street culture
• "Celebrity, Celebrity" (Georgia fight vocal)
• "Solidarity Forever"
• William Weston Patton
• "Dixie", the Amalgamated equivalent.

References [edit]

1. ^ Stauffer, John; Soskis, Benjamin (2013). The Battle Hymn of the Republic: A Biography of the Song That Marches On. Oxford University Press. ISBN9780199339587.
2. ^ Stauffer & Soskis 2013, p. 18.
3. ^ Stauffer & Soskis 2013, pp. 26–27.
4. ^ ^{a b} Kimball 1890, p. 372.
5. ^ Kimball 1890, pp. 373–iv.
6. ^ Cutler, Frederick Morse (1917), The old First Massachusetts declension artillery in war and peace (Google Books), Boston: Pilgrim Printing, pp. 105–half-dozen
7. ^ Cutler, Frederick Morse (1920), The 55th artillery (CAC) in the American expeditionary forces, France, 1918 (Google Books), Worcester, MA: Democracy Press, pp. 261ff
8. ^ Williams, Gary. Hungry Heart: The Literary Emergence of Julia Ward Howe. Amherst: University of Massachusetts Press, 1999: 208. ISBN 1-55849-157-0
9. ^ Julia Ward Howe, 1819–1910, vol. I, U Ppenn, June 1, 1912, retrieved July 2, 2010 . Come across also footnote in To-Day, 1885 (five.iii, February), p.88
10. ^ Howe, Julia Ward. Reminiscences: 1819–1899. Houghton, Mifflin: New York, 1899. p. 275.
11. ^ Hall, Roger L. New England Songster. PineTree Press, 1997.
12. ^ Reynolds, David S. "John Brown Abolitionist: The Man Who Killed Slavery, Sparked the Civil War, and Seeded Ceremonious Rights." Vintage Books, pp. 209–215.
13. ^ Howe, Julia Ward (Feb 1862). "The Boxing Hymn of the Commonwealth". The Atlantic Monthly. 9 (52): 10. Retrieved April 26, 2015.
14. ^ Stossel, Sage (September 2001). "The Battle Hymn of the Commonwealth". The Atlantic Monthly . Retrieved April 26, 2015.
15. ^ Howe, Julia Ward. Battle hymn of the republic, Washington, D.C:Supervisory Committee for Recruiting Colored Regiments [n.d] "Boxing hymn of the Commonwealth. By Mrs. Julia Ward Howe. Published by the Supervisory Committee for Recruiting Colored Regiments". Library of Congress . Retrieved June xxx, 2020.
16. ^ "LDS Hymns #60". Hymns. Church of Jesus Christ of Latter Solar day Saints. Retrieved July 23, 2020.
17. ^ 1862 sheet music https://world wide web.loc.gov/resource/ihas.200000858.0/?sp=1
18. ^ "Boxing Hymn of the Republic (original version)". American music preservation. Retrieved July 2, 2010.
19. ^ Sanders, Coyne Steven (1990). Rainbow'south End: The Judy Garland Show. Zebra Books. ISBN 0-8217-3708-2 (paperback ed).
20. ^ Williams, Andy, Battle Hymn of the Democracy (chart positions), Music VF, retrieved June 16, 2013
21. ^ julius923 (September xiii, 2009). "Battle Hymn of the Republic – London 2001". Archived from the original on November two, 2022 – via YouTube.
22. ^ "Meridian native leads choir opening DNC". Retrieved Jan nineteen, 2017.
23. ^ "Civil War Music: The Battle Hymn of the Republic". Civilwar.org. Oct 17, 1910. Archived from the original on August xvi, 2012. Retrieved August 5, 2012.
24. ^ "Video: Presiding Bishop-elect Michael Back-scratch preaches at General Convention Closing Eucharist". July 3, 2015.
25. ^ DeMott, Robert (1992). Robert DeMott's Introduction to The Grapes of Wrath . U.s.: Viking Penguin. p. xviii. ISBN0-14-018640-9.
26. ^ "Terrible Swift Sword: The Battle of Gettysburg – Board Game". BoardGameGeek. Retrieved August 5, 2012.
27. ^ "You Want It Darker" Columbia Records, released Oct. 21, 2016
28. ^ "New Yorker". The New Yorker. {{cite magazine}}: CS1 maint: url-status (link)
29. ^ Cloake, Martin (December 12, 2012). "The Glory Glory Nights: The Official Story of Tottenham Hotspur in Europe".
30. ^ "Hector Nicol with the Kelvin Country Dance band – Celebrity Glory To The Hullo-Bees (Hibernian Supporters Vocal) (Vinyl, 7", 45 RPM, Single) – Discogs". Discogs . Retrieved March 22, 2019.
31. ^ "Hector Nicol – Discography & Songs – Discogs". Discogs . Retrieved March 22, 2019.
32. ^ Walls, "Marching Song", Arkansas Historical Quarterly (Winter 2007), 401–402.
33. ^ Dirda, Michael (November six, 1988). "Where the Sidewalk Begins". The Washington Post. p. 16.
34. ^ "Gloryland 1994 World Cup Song". YouTube. Archived from the original on November 2, 2021. Retrieved September 28, 2010.
35. ^ "Rabbitohs Club Song". South Sydney Rabbitohs.
36. ^ "Informationen zum Thema Shamrocks Rugby Will County Rugby Chicago Rugby Manhattan Rugby". shamrockrfc.com. ^{[ dead link ]}
37. ^ "Gloria doesn't mind 'labandera' tag". Philstar.com. Philstar Global Corp. May v, 2001. Retrieved September eighteen, 2020.
38. ^ Vanzi, Sol Jose. "PHNE: Business and Economy". www.newsflash.org. Retrieved July four, 2020.
39. ^ Steffe, William (1862). "Solidarity Forever: Melody – 'Battle Hymn of the Republic'". Musica net. Retrieved July 2, 2010.
40. ^ Uppo-Nalle (1991), Suomen kansallisfilmografia (2004), on ELONET, National Audiovisual Archive and the Finnish Board of Film Classification, "Archived copy". Archived from the original on September 14, 2014. Retrieved September 14, 2014. {{cite web}}: CS1 maint: archived re-create as title (link)
41. ^ "Varski Varjola – Suomi tekee kohta maalin (2011)". March 14, 2011. Archived from the original on November 2, 2022 – via YouTube.
42. ^ Little Peter rabbit song (PDF), UK: Volume trust, archived from the original (PDF) on Nov two, 2013
43. ^ "Céline Dion chante noël". www.celinedion.com. Retrieved November 24, 2020.
44. ^ "Principia Discordia – Page 11". Principia Discordia.
45. ^ "Aarni – The Battle Hymn Of Eristocracy". October 23, 2011. Archived from the original on November 2, 2022 – via YouTube.
46. ^ "Oil Thigh". Queen's online encyclopedia. Queen's Webmaster. Retrieved Oct 16, 2020.
47. ^ "Works with Orchestra". Retrieved December fourteen, 2016.

Sources [edit]

• Kimball, George (1890), "Origin of the John Brown Song", The New England Magazine, new, Cornell University, i .

Further reading [edit]

• Claghorn, Charles Eugene, "Boxing Hymn: The Story Backside The Battle Hymn of the Democracy". Papers of the Hymn Order of America, XXIX.
• Clifford, Deborah Pickman. 'Mine Eyes Have Seen the Glory: A Biography of Julia Ward Howe. Boston: Little, Brown and Co., 1978. ISBN 0316147478
• Collins, Ace. Songs Sung, Cherry, White, and Blue: The Stories Backside America's Best-Loved Patriotic Songs. HarperResource, 2003. ISBN 0060513047
• Hall, Florence Howe. The story of the Battle hymn of the republic (Harper, 1916) online
• Hall, Roger Lee. Glory, Hallelujah: Ceremonious War Songs and Hymns, Stoughton: PineTree Press, 2012.
• Jackson, Popular Songs of Nineteenth-Century America, note on "Boxing Hymn of the Republic", pp. 263–64.
• McWhirter, Christian. Battle Hymns: The Power and Popularity of Music in the Ceremonious War. Chapel Hill, NC: University of Northward Carolina Press, 2012. ISBN 1469613670
• Scholes, Percy A. "John Brown's Torso", The Oxford Companion of Music. 9th edition. London: Oxford University Press, 1955.
• Snyder, Edward D. "The Biblical Groundwork of the 'Battle Hymn of the Republic,'" New England Quarterly (1951) 24#2, pp. 231–238 in JSTOR
• Stauffer, John, and Benjamin Soskis, eds. The Battle Hymn of the Republic: A Biography of the Song That Marches On (Oxford University Press; 2013) ISBN 978-0-nineteen-933958-7. 380 pages; Traces the history of the melody and lyrics & shows how the hymn has been used on later on occasions
• Stutler, Boyd B. Celebrity, Glory, Hallelujah! The Story of "John Brown's Body" and "Battle Hymn of the Republic." Cincinnati: The C. J. Krehbiel Co., 1960. OCLC 3360355
• Vowell, Sarah. "John Brown's Body," in The Rose and the Briar: Decease, Dearest and Liberty in the American Ballad. Ed. by Sean Wilentz and Greil Marcus. New York: W. W. Norton, 2005. ISBN 0393059545

External links [edit]

Sheet music [edit]

• Free sheet music of The Battle Hymn of the Democracy from Cantorion.org
• 1917 Sheet Music at Duke University equally function of the American Memory collection of the Library of Congress
• The Battle Hymn of the Republic. Facsimile of beginning draft

Audio [edit]

• "The Battle Hymn of the Republic", Stevenson & Stanley (Edison Amberol 79, 1908)—Cylinder Preservation and Digitization Project.
• MIDI for The Battle Hymn of the Republic from Projection Gutenberg
• The Battle Hymn of the Republic sung at Washington National Cathedral, mourning the September 11, 2001 attacks.
• The short film A NATION SINGS (1963) is available for gratuitous download at the Internet Archive.

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Source: https://en.wikipedia.org/wiki/Battle_Hymn_of_the_Republic

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